Alanis Morissette is set to perform a major concert at the O2 Arena in London this summer on July 27, alongside fellow 90s artist Liz Phair. Fans can expect a night filled with hits from Morissette’s iconic album “Jagged Little Pill” and more. Previously, Morissette planned European shows, with stops in Cardiff, Dublin, and Belfast.

Speculation surrounds Morissette’s possible appearance at the Glastonbury Festival, as her tour dates suggest availability during the event from June 25-29. The last time she performed in the UK was in 2022, marking the 25th anniversary of her famous album. Liz Phair has also been absent from UK performances since 2019.

Tickets for the London show will be available for general sale on March 7 at 10am, with a pre-sale happening on the day before at the same time. Fans can access pre-sale tickets by signing up on Morissette’s website. Live Nation will also provide a pre-sale option with further details in the preceding announcement.

Alanis Morissette’s upcoming UK and Ireland tour dates include:
– June 29: Dublin, Malahide Castle
– June 30: Belfast, Ormeau Park
– July 2: Cardiff, Cardiff Castle
– July 4: Lancashire, Lytham Festival
– July 5: Glasgow, OVO Hydro
– July 27: London, O2 Arena (newly announced)

Tickets for Morissette’s O2 Arena performance go on sale March 7 at 10am, and further details can be found through the links provided.

Alanis Morissette will headline a concert at London’s O2 Arena on July 27, accompanied by Liz Phair. Tickets go on sale soon, with both general and pre-sale options available. The event adds to her summer tour across the UK and Ireland, heightening excitement with speculation about her participation in Glastonbury Festival.

Original Source: secretldn.com

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Pitbull is set to electrify London’s O2 Arena on Friday, February 21, 2025, as part of his exclusive UK concert during the Party After Dark tour. Fans can expect a remarkably immersive experience featuring dazzling visuals and high-energy performances, thanks to his band, The Agents, and dancers, The Most Bad Ones. With tickets in high demand, attendees should prepare for an unforgettable night.

Doors at the O2 will open at 6:30 PM, with Pitbull expected to take the stage around 9:15 PM, and a curfew at 11 PM. Those hoping to catch the show should act quickly, as Ticketmaster shows no availability while AXS has limited options. Stubhub, however, offers tickets starting from £100.

An idea of Pitbull’s setlist was drawn from a previous US tour, featuring hits like “Don’t Stop the Party,” “Timber,” and “Give Me Everything.” This concert promises to deliver big hits and explosive effects. Additionally, rapper Lil Jon will support Pitbull, performing at 8 PM to kick off the evening.

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Pitbull’s concert at London’s O2 Arena promises a spectacular experience with an array of hits, special effects, and support from Lil Jon. Anticipated to start at 9:15 PM, the event will see doors open at 6:30 PM. However, with high ticket demand, fans are urged to secure their seats promptly, especially as availability is limited.

Original Source: www.timeout.com

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Music critic Anna Frankland shares her experience at ATEEZ’s concert in London as part of their world tour, ‘Towards the Light: Will to Power’. ATEEZ is known for pushing K-pop boundaries and their popularity has expanded globally, marking their fourth performance in the UK. The European leg began in January 2025 following the release of their latest EP, and the energy in the crowd during the first London show was electric.

In the concert pit at O2 Arena, the excitement was palpable, especially after the group’s soundcheck where they interacted with fans. The K-pop experience was enriched by community spirit, extravagant outfits, and friendship exchanges, creating a festive atmosphere filled with mutual appreciation for the artists.

ATEEZ opened with a dynamic performance of ‘Crazy Form,’ showcasing their powerful vocals and choreographed dancing. Notably, members Yunho and San demonstrated impressive stage presence while maintaining energised choreography throughout the two-and-a-half-hour show. The concert’s staging effectively incorporated their music’s lore, creating a unique and immersive experience.

Live performances enhance ATEEZ’s discography, especially with songs like ‘Guerrilla,’ where the bass and guitars amplify its anthem-like qualities. The crowd passionately chanted ‘Break The Wall’ during the song, creating a memorable moment that exemplifies ATEEZ’s concert legacy.

A standout moment was the collaboration of Hongjoong and Seonghwa on ‘MATZ,’ which transformed my perception of the song. Hongjoong’s lively rapping combined with Seonghwa’s unexpected rap contribution captivated the audience, brilliantly complemented by dramatic lighting and special effects.

The concert also featured lighter moments, with ATEEZ interacting with fans, expressing gratitude, and sharing experiences. Hongjoong notably engaged fans with a sing-along of Oasis’s ‘Wonderwall,’ highlighting the sincere bond between the group and their audience.

ATEEZ showcased their extraordinary performance skills in London, delivering an unforgettable live show that perfectly blends energy, artistry, and fan interaction. Their ability to engage audiences transcends both cultural and geographical boundaries, setting high standards for future performances. Both their dynamic choreography and heartfelt connections with fans made each moment memorable, affirming their place as exceptional live performers.

Original Source: www.redbrick.me

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James Vowles, Team Principal of Williams Racing, commented on the booing and swearing controversies in Formula 1, asserting that there is no place for booing in the sport. Despite instances of audience booing at the recent 75th anniversary launch event directed at Max Verstappen and others, Vowles believes this negativity won’t detract from F1’s growth, highlighting the sport’s strong appeal.

Vowles expressed disappointment over the booing, stating, “I don’t think there’s a place for booing. We were there to represent our sport that we’re passionate about.” He underscored the need to present F1 positively rather than in a divisive manner, clearly indicating it should not be a hero versus villain environment.

When discussing swearing, Vowles acknowledged that drivers might use harsh language in high-pressure situations, saying, “if a driver is in the car putting their life on the line… you would use words you’re not proud of in the heat of the moment.” However, he insisted that such language should not be used in press conferences.

Toto Wolff, Team Principal of Mercedes, shared similar sentiments, emphasising respect in the sport and advocating for a more sophisticated language approach, akin to rugby. He noted, “I don’t think we should be swearing about officials. That’s for sure,” echoing Vowles that heated emotions should not lead to disrespect towards competitors or officials.

Both Vowles and Wolff argued for a balanced perspective amidst rising tribalism in F1, stressing the need for clarity in FIA regulations regarding permitted language. They believe that while emotional expressions in racing are natural, swearing should not extend to disrespectful comments directed at others in the sport.

Overall, the consensus among team principals is to uphold respect and professionalism within Formula 1, guiding the sport towards a more positive, inclusive atmosphere while managing the expectations of fans and drivers alike.

Vowles and Wolff’s viewpoints advocate for a respectful environment in Formula 1, highlighting the need to eliminate booing and inappropriate language. With F1’s growth on the line, they assert that fans should celebrate drivers rather than incite negativity. Drivers’ emotions should be acknowledged, but with a clear boundary supported by the FIA’s regulations to foster a constructive atmosphere in motorsport.

Original Source: www.autosport.com

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The F175 launch event highlighted divided opinions among fans, notably with booing directed at Red Bull’s Christian Horner, Max Verstappen, and the FIA. This booing sparked discussions within the Formula 1 community about its appropriateness, with writers offering varied insights.

Ben Hunt believes that if cheering is acceptable, booing should be too. He acknowledges booing as part of the evolving nature of F1, asserting that fan reactions are organic and significant, paralleling the emotional outpouring that characterizes live sports.

Conversely, Jake Boxall-Legge argues that F1 is not a sport where booing fits comfortably. He notes that while booing in football is common, it feels one-sided and was out of place during the celebratory atmosphere of F175. The discomfort of Horner and Verstappen was apparent, detracting from the event’s intended spirit.

Alex Kalinauckas emphasises that booing is a timeless aspect of sport, pointing out that F1 drivers like Verstappen, who embrace the role of the villain, should expect fan reactions, even at promotional events. The launch in London was appropriate given the geography of teams and fan expectations.

Mark Mann-Bryans insists that fans paid to attend F175 and should express themselves freely, as long as it’s within the bounds of decency. The event’s sold-out tickets suggest an eager audience, and simple jeering reflects the nature of sports entertainment.

Oleg Karpov presents a critical view of the FIA’s role, stating that it shouldn’t seek popularity. Booing doesn’t signify failure, but rather a response to the FIA’s current leadership image. Instead of reacting negatively, it’s best to acknowledge that silence would have indicated the FIA’s job was being done effectively.

In summary, the booing at F175 opens a dialogue about fan engagement in F1. While some writers see booing as a normal expression of sport, others regard it as misplaced at celebratory events. The FIA’s role and the fans’ rights to express emotion are central to this ongoing discussion in the sport.

The booing at F175 ignited a debate within the F1 community about the appropriateness of fan reactions during promotional events. Opinions range from support for the fans’ right to express themselves to concerns about the impact of such reactions on the atmosphere of the event. Ultimately, this conversation reflects the dynamic nature of F1 and the complex relationships between fans, teams, and governing bodies.

Original Source: www.autosport.com

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The FIA has mandated a two-stop pit strategy for the Monaco Grand Prix, requiring all drivers to make at least two pit stops during the race, irrespective of the weather. This decision is aimed at enhancing the entertainment value of the event due to the traditionally challenging overtaking conditions in Monaco.

Additionally, drivers must use a minimum of three sets of tyres and two different compounds if the race is dry. This change follows concerns over a lack of competition, and last year’s race highlighted the effectiveness of single-stop strategies which had limited overtaking opportunities.

The commission meeting, held before the F175 livery launch, also introduced more strict wing flex tests for the 2025 season and established new cooling system parameters for when a heat hazard is declared.

New cooling technology for drivers, like the optional wearable shirts, will become mandatory by 2026. This is part of broader plans to adapt regulations in response to evolving safety and performance challenges in Formula 1.

The FIA’s approval of a mandatory two-stop strategy aims to boost action during the Monaco GP, addressing past issues with race entertainment. As teams prepare for these changes, strict regulations on wing flex and driver cooling systems are also being implemented to enhance safety and performance.

Original Source: www.autosport.com

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Music enthusiasts are already planning for a vibrant 2025 in the U.K. and Ireland, with a resurgence in live events following the pandemic. In 2023, the U.K. saw 19.2 million attendees at live concerts, which generated a staggering £7.6 billion for the economy. Major tours from international stars and local acts promise another significant year, with high-profile reunions and special engagements leading the charge.

Anticipated shows include Billie Eilish’s elaborate performances featuring pyrotechnics and an impressive six nights in London’s O2 Arena. Charli XCX will headline at numerous festivals, while Coldplay aims to set a record with ten nights at Wembley Stadium, committing part of the proceeds to support grassroots venues.

Dua Lipa’s triumphant concerts, along with Fontaines D.C. expanding their live reach, demonstrate a thriving concert scene. Iconic events like Glastonbury are expected to draw crowds, with top-tier artists included among the lineup. Kylie Minogue also embarks on her highly successful tour, bringing her latest album to fans across the region.

Lana Del Rey, Linkin Park, and The Maccabees are all set to attract significant attention with their respective performances. Oasis reunites for sold-out dates, while Olivia Rodrigo continues her acclaimed run, showing the depth and breadth of the music landscape in 2025. RAYE and Sabrina Carpenter also shine with high-profile performances, indicating a promising year for fans.

Sam Fender prepares for large-scale shows following his album launch, while the Scissor Sisters make a formidable return. Tyler, the Creator will finally tour the U.K. again, and Usher’s residency promises a thrilling experience after a decade-long break. The influx of big names hints at a bustling concert season that will invigorate music lovers throughout the U.K. and Ireland.

The U.K. and Ireland’s music scene is set for a massive 2025, featuring major tours from a roster of renowned artists, including Billie Eilish, Coldplay, and Oasis. While the excitement builds, challenges like supporting grassroots venues remain crucial. Nonetheless, fans can eagerly await unforgettable performances across the region as live music continues to flourish post-pandemic.

Original Source: www.billboard.com

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Lil Baby, the acclaimed American rapper, is set to return to the UK as part of his Wham World Tour, kicking off in September 2025. He will perform two shows: one at Co-op Live in Manchester and another at the O2 Arena in London, which can host over 20,000 fans. This tour marks his first UK appearance since 2023, with no additional dates currently planned.

Lil Baby’s Wham World Tour offers UK fans two exciting concert opportunities in Manchester and London. General tickets go on sale on February 21, 2025, with a presale available for subscribers from February 20, 2025. Fans should prepare to purchase tickets via Ticketmaster, Live Nation, and See Tickets to avoid missing out.

Original Source: www.mylondon.news

The post Lil Baby’s UK Tour 2025: Ticket Information and Dates first appeared on The London Bell.

Attending the F1 season launch event in London was quite the experience, full of glitz and a bit of surprise. Formula 1, aiming to captivate its growing audience, organised a lively ceremony featuring all 10 teams and their drivers, hosted by comedian Jack Whitehall. While expectations were low due to previous cringe-worthy events, this one offered a night of enjoyment at the O2 Arena that was ultimately better than anticipated.

The two-hour event showcased each team’s car liveries for the season, although most were similar to last year’s designs, with the notable exception of a striking white VCARB creation reminiscent of Red Bull’s previous iconic look. F1 managed to refer to the reveals correctly as ‘liveries’, acknowledging these are not the actual cars that will race soon. Enhanced with entertainment, the night was enjoyable overall, despite some minor awkward moments throughout.

Jack Whitehall brought a burst of youthful energy to the proceedings, poking fun at the attendees, though some jokes felt forced. Notably, the light-hearted comments about Ferrari’s Charles Leclerc focused more on his looks than his racing abilities, leaving him appearing slightly uncomfortable. There were awkward moments too, like American artist MGK’s cringe-inducing F1 freestyle rap and composer Brian Tyler’s failed audience interaction.

Country singer Kane Brown’s performance featured a hit song with questionable lyrics for a family-friendly event, contrasting sharply with F1’s image. Additionally, the FIA logo drew boos from fans expressing dissatisfaction with how the sport is managed currently. The atmosphere turned more positive with cheers for British drivers, especially Lewis Hamilton, whose appearance generated significant excitement among fans.

Despite differing opinions on the event’s opulence, approximately 15,000 attendees left content, and the launch attracted 4.6 million views on YouTube, demonstrating widespread interest. The event was notably well-executed, although it may have felt slightly elongated. Looking to the future, it’s uncertain if this style of livery reveal will become a fixture, but it might make a return for notable anniversaries should F1 find financial value in it.

The F1 season launch presented a mix of entertainment and familiar elements with its eye-catching performances and the showcasing of liveries. While some moments were cringeworthy, the event achieved an enjoyable atmosphere for fans, with a strong turnout both live and online. Whether this format will become a regular feature remains to be seen, depending on its perceived success and commercial viability.

Original Source: www.mirror.co.uk

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Comedian Jack Whitehall will host the Formula 1 season launch at London’s O2 Arena on Tuesday, featuring performances by Take That and Kane Brown. This event, titled F1 75, marks the 75th anniversary of the Formula 1 World Championship, bringing together all 10 teams and 20 drivers in a celebratory atmosphere.

The show will include music acts like Machine Gun Kelly and composer Brian Tyler, who will support teams as they present their cars and drivers. Each team has a seven-minute slot for their presentation, although official liveries will not be unveiled until the event.

Despite Ferrari’s absence from media activities, they will launch their car the following morning at the Fiorano test track with drivers Lewis Hamilton and Charles Leclerc. Last week, McLaren and Williams revealed their interim liveries for the 2025 season launch at Silverstone.

Jack Whitehall is set to host the F1 75 season launch, celebrating the 75th anniversary of the Formula 1 Championship. With major performances lined up and each team showcasing their vehicles, this event promises an exciting start to the new season. Notably, while teams participate in presentations, Ferrari will unveil its car separately the day after the launch.

Original Source: www.espn.com

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