Incubus has revealed that Paris Jackson will join them as a special guest for their upcoming show at The O2, part of their 20th-anniversary celebration for the album ‘Morning View’. The concert is scheduled for April 26, where the band will perform the entire album alongside other hits. Paris Jackson, known for her debut solo album ‘Wilted’, will bring a unique element by “singing the purest kind of truth over distorted chords without filter or apology.”
The London gig follows Incubus’s US tour and marks their only performance in the UK and Ireland for this year. They will then move to Cologne for their only European show on April 30.
Brandon Boyd previously discussed the album’s anniversary with NME, mentioning potential unreleased material: “There’s a lot of material and we might dust some of it off at some point.” He reflected on their recording process, noting how they opted for a non-traditional setting to foster creativity in a distraction-free environment. Meanwhile, Paris Jackson has recently shared her journey of sobriety and the personal themes of her music, stating that they may be difficult for some to hear.

Incubus will celebrate the 20th anniversary of ‘Morning View’ with a special concert at London’s O2, featuring Paris Jackson as a guest. This performance, along with their European show later, highlights the band’s enduring presence. They may also revisit unreleased material from that album era, while Jackson shares personal experiences through her music.

Original Source: www.nme.com

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Knocked Loose has announced a surprise intimate show in London, taking place at The Underworld in Camden tomorrow night. This last-minute gig serves as a warm-up for their upcoming performance at the O2 Academy in Brixton on Monday, March 17, followed by a concert at the O2 Victoria Warehouse in Manchester the next day.

The Camden show, titled “a special evening of violence,” will feature Byran Garris and his bandmates, alongside some unknown special guests. Tickets for the 500-capacity venue are already on sale, and fans are encouraged to purchase them quickly.

Recently, Garris discussed the band’s future plans in an interview with NME, reflecting on their growth and broad appeal. He emphasised the importance of remaining accessible to fans and maintaining the ethos of hardcore music, stating, “We always want to keep the energy and not create a divide.”

After the London and Manchester shows, Knocked Loose will launch a European tour starting in The Netherlands on March 20, followed by shows in France, Brussels, and Germany. Summer tour dates are also planned for locations in Kentucky, Nevada, and California, with further ticket information available online.

Knocked Loose’s surprise intimate show in London highlights their commitment to maintaining accessibility within the hardcore scene. As they prepare for upcoming gigs in London, Manchester, and Europe, their focus remains on keeping the energy vibrant and inclusive. Fans can look forward to an exciting series of performances this March and throughout the summer.

Original Source: www.nme.com

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The Sex Pistols and Frank Carter are potentially set for a secret show in London next week. Carter, known for Frank Carter & The Rattlesnakes and Gallows, has replaced John Lydon as the frontman. Following two successful gigs at Bush Hall, they prepare for a performance at the Royal Albert Hall on March 24, and Download Festival 2025 in summer.

An announcement on March 12 revealed a mystery group named “The SPOTS” will play at the 100 Club on March 21. “The SPOTS” is a throwback name used by the original Sex Pistols when booking secret shows in 1977 to avoid police interference due to media scrutiny.

After the 100 Club’s historical gig in 1976, a ballot for tickets opened today with entries accepted until March 14. Each customer may purchase a maximum of two tickets. Guitarist Steve Jones remarked that including Lydon in the reunion was “wasn’t even worth asking”, amid ongoing tension between the band members.

Jones also expressed excitement over the Royal Albert Hall concert, citing it as a good cause and an opportunity to experience the venue for the first time. He praised Carter’s involvement, highlighting the youthful energy he brings to the band, stating it has rejuvenated their dynamic and made the experience enjoyable for everyone.

The planned show by Sex Pistols and Frank Carter signifies an intriguing development in the band’s legacy, with the return of fan-favourite elements and an engaging new frontman. Their upcoming performances, including the stimulating secret show and a charity concert, reflect both their historical significance and future potential within the music scene. Ongoing tensions with past members underline their complex relationships.

Original Source: www.nme.com

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Four Tet, a London producer and DJ, debuted his remix of The Cure’s ‘Alone’ during his performance at EarTH on March 7. This remix accompanies The Cure’s 2024 single from their album ‘Songs Of A Lost World’, which has garnered critical acclaim and a five-star rating from NME.

In his set, Four Tet presented a bright and danceable version, adding a fresh perspective to Robert Smith’s poignant lyrics. This remix is featured in a clip shared on Four Tet’s Instagram, captivating the audience with its vibrant beat.

The Cure’s album ‘Songs Of A Lost World’ is notable for being their first Number One album in the UK in over three decades. It is praised for its emotional depth and lyrical content, reflecting Robert Smith’s personal journey.

NME recognised the album as one of the Best Albums of the Year, and ‘Alone’ was highlighted in their Best Songs of 2024 list. Smith’s work showcases his enduring creativity, with hints of potential upcoming projects, making this release particularly significant.

Four Tet’s debut remix of The Cure’s ‘Alone’ showcases his unique style while celebrating The Cure’s successful return with their acclaimed album. The remix highlights Robert Smith’s impactful lyrics, reinforced by Four Tet’s danceable beat. ‘Songs Of A Lost World’ has been well-received, marking a significant moment in The Cure’s storied career.

Original Source: www.nme.com

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Beabadoobee is excited to co-headline the BST Hyde Park Festival with Sabrina Carpenter on July 5. At the 2025 BRIT Awards, Beabadoobee expressed her admiration for Carpenter, stating, “She’s so lovely and we’ve spoken a couple of times, so I can’t wait to do that. It’s going to be really fun!” She looks forward to sharing her music in live settings.

In advance of her London performance, Beabadoobee is on The Space In Between Tour in the U.S. and Canada, promoting her 2024 album, This Is How Tomorrow Moves. Fans can expect a dynamic live show with numerous guitar changes: “I actually get scared that people will get annoyed at that because I’m constantly changing guitars — but expect a lot of different colored guitars!” she noted.

BST Hyde Park features a lineup of artists performing across three weekends, including Olivia Rodrigo and Zach Bryan, with Clairo joining Beabadoobee and Carpenter on July 5. Beabadoobee previously opened for Taylor Swift on her Eras Tour, describing the experience as surreal: “Imagine someone that you’ve listened to growing up… It’s just mental that someone I’m a massive fan of appreciates my music as much.”

Beabadoobee’s connection with Swift was particularly impactful, stating, “It was a trip. It was a massive trip. It was like I was on shrooms or something.” Her excitement continues as she prepares for her performances alongside Carpenter and others at BST Hyde Park.

Beabadoobee’s admiration for Sabrina Carpenter highlights the excitement surrounding their upcoming collaboration at BST Hyde Park. With her dynamic live performances, including numerous guitar changes, fans can expect a memorable show. Additionally, Beabadoobee’s experiences on tour with Taylor Swift have further shaped her musical journey, making this co-headlining performance significant for her.

Original Source: people.com

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Jordan Adetunji showcased his talent during a sold-out headline show at The Lower Third in London, part of his UK and European tour for his latest mixtape, ‘A Jaguar’s Dream’. On stage, he performed several tracks, including his recent hit ‘Too Many Women’ featuring KWN, who surprised the audience with a guest appearance.

Adetunji enlivened the concert with a throwback to his debut mixtape ‘Rock N Rave’, and shared insights on his career, highlighting the importance of consistency for artists. He will conclude his tour in Paris before heading to the US for five shows, ending at Rolling Loud California.

Released in January, ‘A Jaguar’s Dream’ features both original and remix versions of his acclaimed track ‘Kehlani’, which is nominated for multiple awards, showcasing Adetunji’s rising prominence in the music industry. Additionally, KWN was recognised in NME’s 100 emerging artists for her innovative take on R&B and has collaborated with notable artists like Kehlani.

During the concert, Adetunji expressed gratitude for loyal fans who supported his music during challenging times, offering advice on the significance of maintaining consistency as a new artist.

In conclusion, Jordan Adetunji’s recent London show highlighted his dynamic performances and showcased his collaborations, particularly with KWN. He emphasised the need for consistency in music, reflecting on his journey and the recognition his work has garnered. Both artists are establishing themselves as key figures in contemporary music, supported by critical acclaim and festival appearances.

Original Source: www.nme.com

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Iggy Pop has confirmed the support acts for his upcoming London show at Alexandra Palace on May 28, 2025. He will perform a diverse, career-spanning set before heading to Glasgow and Manchester for additional dates. The punk icon had earlier promised special guests and collaborators for these shows, in response to high demand for tickets.

Joining Iggy in London will be the punk duo Bob Vylan and the Faroe Islands group Joe & The Shitboys, who will also support him in Manchester and Glasgow. In a video announcement, Iggy highlighted the excitement of the concert, saying, “Bob Vylan and Joe & The Shitboys are gonna be there. The two most exciting bands in the world today, other than my own.”

Joe & The Shitboys are known for their energetic performances and unique style, previously featured in NME’s 100 list of essential new artists. Their albums display a mix of humour and punk chaos. Bob Vylan, another band making waves, released a highly praised album, “Humble As The Sun,” noted for its electrifying sound and empowering lyrics.

Iggy is set to headline Bearded Theory festival in May 2025, along with several European festival appearances. His latest live album, “Live At Montreux Jazz Festival 2023,” was released last month, and he also put out his most recent solo LP, “Every Loser,” in 2023.

Iggy Pop’s upcoming London show at Alexandra Palace will feature exciting support acts, including Bob Vylan and Joe & The Shitboys. This marks a significant addition to Iggy’s tour, which also includes stops in Glasgow and Manchester. With his recent album releases, Iggy continues to make waves in the music scene while showcasing new talent alongside him.

Original Source: www.nme.com

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A new exhibition, titled “The Face Magazine: Culture Shift”, has opened at the National Portrait Gallery to commemorate the first 25 years of The Face magazine, which operated from 1980 to 2004. The exhibition features iconic photography of celebrities like Kate Moss and David Bowie. The gallery highlights The Face as a groundbreaking British publication that significantly influenced youth culture and trends in music, fashion, and art. The magazine was relaunched in 2019 in both print and online formats.

Ekow Eshun, former assistant editor, stated, “The Face was probably the most influential magazine when it came to style culture.” Organisers aim to illustrate the magazine’s substantial impact on the cultural landscape from the 1980s to the early 2000s. Eshun noted that prior to the internet, magazines held vast sway over style and culture, enriching Britain’s visual sophistication.

Eshun recalled how The Face allowed for a unique juxtaposition of small and large ideas, blending fashion trends with complex theories. Nick Logan, who founded The Face, recognised a gap in the market for a publication catering to youth’s diverse interests, aligning with the rise of rave culture.

Lee Swillingham, former art director, described The Face in the 1990s as a vibrant workplace where he was granted creative freedom. He transformed its aesthetic by incorporating colourful and energetic design while embracing digital technologies for enhanced photography. He attributed the magazine’s closure in 2004 to shifts in culture and competition from the internet.

Sabina Jaskot-Gill, senior curator of photographs at the gallery, remarked that The Face has consistently pushed cultural boundaries, documenting and shaping contemporary culture with its innovative fashion and portrait photography. Its contributors were granted the freedom to challenge norms and generate cultural shifts.

The exhibition “The Face Magazine: Culture Shift” at the National Portrait Gallery celebrates the influential legacy of The Face magazine. Featuring iconic photography, it highlights the publication’s significant role in shaping British youth culture from the 1980s to 2000s. Key figures associated with The Face emphasise its lasting impact and its ability to blend various cultural ideas and concepts.

Original Source: www.bbc.com

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A new exhibition at London’s National Portrait Gallery delves into the cultural significance of The Face magazine, a pioneering monthly renowned for influencing style, fashion, and arts. At the gallery, a striking image of Nick Kamen in a Ray Petri-styled ensemble welcomes visitors. This exhibition features 200 photographs by 80 photographers, showcasing icons like Kurt Cobain, Kylie Minogue, and The Spice Girls, demonstrating how The Face shaped a generation’s fashion and conversation.

Founded by Nick Logan in 1980, The Face was ahead of its time, creating a revolution in style journalism amid an era without social media. The magazine reflected and defined the evolving music scene, employing innovative design and storytelling techniques. Logan’s investment in both talent and vision transformed The Face into an authoritative voice for emerging artists and models, setting it apart from traditional magazines like Vogue.

Curated by Sabina Jaskot-Gill, along with art director Lee Swillingham and photographer Norbert Schoerner, the exhibition highlights how The Face interwove music, style, and politics, marking it as a radical cultural artefact. The gallery’s new architectural design complements the exhibition, providing a dynamic space that captures the essence of The Face and its stylistic evolution over the decades.

“This is the first major museum exhibition on The Face’s iconic portraiture. It reveals how groundbreaking the imagery was and how it still resonates today.” – Sabina Jaskot-Gill.

The exhibition features distinct themes, from boldness to dark realism, immersing visitors in The Face’s significant impacts. The layout includes wallpapered salons, videos, and vintage magazine copies, capturing the magazine’s innovative spirit under Neville Brody’s creative direction.

“The Face cut through suburbia like a knife and opened the whole world up to me, one that was both relevant, and new, and exciting.” – John Akehurst. Contributing photographers celebrate The Face as an insightful reflection of contemporary culture, essential for understanding the interconnectedness of youth movements during its time.

The magazine also dramatically influenced fashion, introducing revolutionary stylists like Ray Petri and Karl Templer. The narrative of storytelling integrated within fashion shoot concepts has evolved, showcasing The Face’s critical role in shaping the industry’s landscape.

The exhibition also commemorates the typically frenetic production process of The Face, where teams often worked overnight to meet deadlines, highlighting the passion and commitment to presenting cutting-edge content. Sheryl Garratt, a former editor, recounts her dedication amidst challenging logistics, underscoring the magazine’s commitment to excellence.

In assembling the exhibition, the curatorial team collaborated with numerous talented photographers, leading to a celebratory reunion reflecting on The Face’s profound impact on style culture. The exhibition remains open at the National Portrait Gallery until 18 May.

The exhibition ‘The Face Magazine: Culture Shift’ at the National Portrait Gallery highlights the magazine’s influential role in shaping style, fashion, and pop culture. Through iconic imagery and celebrated photographers, it illustrates how The Face combined art, politics, and music, resonating with contemporary youth. With interactive displays and thoughtful design, the exhibition pays tribute to a publication that was a transformative force in the cultural landscape from 1980 to 2004.

Original Source: www.euronews.com

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Papa Roach has donated £20,000 to the mental health charity Campaign Against Living Miserably (CALM) during their sold-out concert at Wembley Arena in London. The band raised these funds by contributing £1 from each ticket sold on their ‘Rise Of The Roach’ tour, which explores venues across Europe, the UK, and North America.

Jacoby Shaddix, the band’s frontman, expressed excitement about the tour’s launch, stating, “CALM, along with every audience from each tour stop, is now part of our mission to ‘Leave A Light On’ for those who may need help.”

Simon Gunning, CEO of CALM, praised Papa Roach and their fans for their support, highlighting the importance of funding for suicide prevention. He noted that such donations encourage open dialogue about mental health, combating stigma, and ultimately saving lives.

The band has consistently focused on mental health awareness, with Shaddix noting the personal significance of the topic. Reflecting on their first hit “Last Resort,” he remarked, “I know the darkness, and by putting it into my music, it’s connected me with thousands of people.”

Shaddix shared his desire to give back to fans who have helped him throughout his career, aiming to inspire hope and healing through their music. Recently, Papa Roach released a new single titled ‘Even If It Kills Me’ and is planning a North American tour with Rise Against this spring.

Papa Roach’s commitment to mental health awareness and their generous £20,000 donation to CALM illustrates their dedication to societal issues. Their music not only entertains but also resonates with fans, fostering important conversations about mental health. As they continue to tour and release new music, they remain a significant influence in the effort to combat stigma surrounding mental health.

Original Source: www.nme.com

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