Dada Khanyisa’s latest exhibition, titled “this is for you,” is currently on display at Sadie Coles HQ in London until April 12. The artist, hailing from Joburg and based in Cape Town, creates captivating “sculptural paintings” that reflect the vibrancy of their immediate community. Khanyisa merges pop and youth culture with South Africa’s political history, offering a lively visual experience that resonates with contemporary themes.

The works featured in “this is for you” draw on nostalgia and collective experiences to probe the present. Constructed from hand-carved wood and found objects, each piece conveys a scrapbook-like essence. Khanyisa’s artistic foundation in both traditional and digital animation shines through, resulting in dynamic figurative compositions where painted panels and three-dimensional aspects interact seamlessly.

Khanyisa emphasises the importance of including local elements in their art, stating, “I try to include local items in my work. I think it’s important as far as grounding the work in a location. I wouldn’t say the people are particular or specific, but these are the people I’m around, and I’m interested in presenting a wider image of the people I have around.” – Juxtapoz

The exhibition is hosted at Sadie Coles HQ, located at 1 Davies St, London W1K 3DB, UK, and invites viewers to engage with the culture and history of Khanyisa’s community through their innovative artistry.

Dada Khanyisa’s exhibition at Sadie Coles HQ showcases a fusion of culture, history, and artistry through unique sculptural paintings. Focusing on local elements and community representation, the works connect personal narratives to broader societal themes. This exhibition offers an insightful exploration of contemporary South African life through a vibrant and engaging lens.

Original Source: hypebeast.com

The post Dada Khanyisa’s Exhibition Celebrates Cape Town’s Vibrant Culture first appeared on The London Bell.

Floyd Mayweather faced a confrontation while shopping in London’s Hatton Garden due to his outspoken support for Israel amidst ongoing Middle Eastern unrest. As he browsed jewellery, he was approached by a group of eight to ten individuals asking him about his pro-Israel stance. Witnesses reported an altercation, with at least one person attempting to physically confront him. Mayweather’s security team quickly intervened, escorting him into a vehicle to escape the situation. This incident follows the recent launch of his Mayweather Israel Initiative aimed at supporting orphans in Israel, and his earlier high-profile visit to the country after last year’s attacks by Hamas. Despite the altercation, insiders claim Mayweather was unharmed during the confrontation.

Floyd Mayweather, a celebrated and controversial figure in boxing, has recently shown support for Israel, including launching initiatives to aid Israeli orphans. This support comes against the backdrop of heightened tensions and violence in the region, particularly following the October 7 attacks last year. Mayweather’s public gestures, including visiting Israel and hosting events, have caused backlash and confrontation from activists opposing his stance, leading to altercations like the recent one in London.

The altercation with protesters reflects the escalating tensions surrounding the Israel-Palestine conflict, and Mayweather’s high-profile support for Israel has positioned him in the spotlight, both positively and negatively. He continues to engage publicly on these issues, which has made him a target for criticism. Ultimately, the incident underscores the broader discourse surrounding celebrity involvement in political and humanitarian issues.

Original Source: www.express.co.uk

The post Floyd Mayweather Confronted in London Over Israel Support first appeared on The London Bell.

Asif Khan has unveiled a sinuous boardwalk bridge at Canada Dock, south London, designed to highlight the area’s timber trade heritage. Spanning 170 metres, this pedestrian bridge links the CZWG-designed library with the Surrey Quays shopping centre while encouraging public interaction with a restored wetland area beneath. Khan’s design features over 400 cantilevered timber fins, inspired by the historical planks of 19th-century dock workers, creating a dynamic undulating form above the water. The bridge’s durable red Cumaru wood, chosen for its sustainability and historical significance, serves as a striking visual statement, symbolising Canada’s influence on London’s timber history.

The Canada Dock development is part of a larger urban regeneration project overseen by British Land and AustralianSuper since 2020. Historically, the site was a significant working dock until its closure in the 1970s. This transition offers a chance to revive local wildlife and promote community interactions with nature and history. The overall plan aims to establish a bustling new urban hub, encompassing residential buildings, retail, leisure, and public amenities, further enhancing the region’s accessibility and ecological integrity.

Asif Khan’s boardwalk at Canada Dock not only serves as an important transport link but also revitalises the area’s ecological footprint and historical narrative. This innovative structure invites the public to connect with both nature and the rich timber trade heritage of London, making a profound impact on the community and environment alike.

Original Source: www.dezeen.com

The post Asif Khan Designs Sinuous Boardwalk at Canada Dock to Revive Heritage and Nature first appeared on The London Bell.

In 2007, the Brooklyn Museum hosted “Global Feminisms,” an influential exhibition showcasing feminist art from a global perspective. Curated by Maura Reilly and Linda Nochlin, it contrasted Western-centric views of feminism. Sixteen years later, the ongoing exhibition “transfeminisms,” curated by Reilly with Christine Eyene, Daria Khan, and Jennifer McCabe at London’s Mimosa House, expands upon this foundation, exploring inclusivity across various dimensions of gender, geography, and subject matter. “Transfeminisms” is organised into five thematic chapters. The first chapter, “Activism and Resistance,” highlighted political protest through art, addressing issues such as free speech and state violence. Notable works included Bahia Shehab’s “A Thousand Times No,” which responds to Palestinian genocide, and various pieces tackling historical narratives and societal repression. Chapter II, “Radical Imagination,” reimagined mythological and religious icons through a feminist lens, with works like Martine Gutierrez’s photography series challenging traditional narratives of femininity. The third chapter, “Fragile Archives,” focused on alternative histories and personal narratives, showcasing artists who redefine traditional storytelling beyond institutional confines. Chapter IV, “Care and Kinship,” emphasised ancestral connections and rituals, celebrating previous generations’ contributions to feminism through artists like Sonia Boyce. The culmination of the exhibition, Chapter V, entitled “Hidden Labours,” examines the often invisible work of the queer community, confronting issues of gendered labour and visibility through various artistic mediums. Overall, “transfeminisms” represents a significant evolution in feminist art discourse, encouraging dialogue on resilience and resistance across global narratives while honouring diverse experiences.

The rise of transfeminism is rooted in the need to address intersectionality within feminist discourse, incorporating perspectives from various cultures and communities. Since the 2007 Brooklyn Museum exhibition, the feminist art landscape has broadened, reflecting debates around decolonisation, reproductive rights, and climate activism. The new exhibition at Mimosa House builds upon this evolution by uniting a diverse array of voices and perspectives in contemporary feminist art, spotlighting the complexities of gender identity and representation.

In summary, “transfeminisms” at Mimosa House showcases a rich tapestry of feminist art that engages with contemporary global issues. Through its exploration of activism, radical imagination, fragile histories, care, and hidden labours, the exhibition drives critical conversations about resistance and the nuances of gender and identity in the 21st century. As it progresses to its final chapter, it underscores the ongoing importance of inclusivity in feminist practices.

Original Source: www.dazeddigital.com

The post Transfeminisms: A Global Perspective on Feminist Art Practices first appeared on The London Bell.