Edvard Munch exhibitions in London and the US provide deeper insight into the Norwegian painter’s work beyond his iconic piece, “The Scream”. In London, the National Portrait Gallery showcases portraits highlighting Munch’s social interactions and connections. The exhibition runs until June 15 and includes 45 works featuring family, friends, and collectors.

Simultaneously, at Harvard Art Museums, a separate exhibition focuses on Munch’s innovative techniques across various mediums, including woodcuts and lithographs. This reflects Munch’s versatility and contribution to art, expanding viewers’ understanding of his style.

According to exhibition curator Alison Smith, “It shows Munch as being a more social person than is often assumed. It takes us beyond The Scream. It takes us beyond Munch as the painter of existential isolation and loneliness.” The exhibitions collectively reveal the multi-dimensionality of Munch’s art and life.

The exhibitions in London and the US highlight Edvard Munch’s social side and innovative techniques, enhancing the understanding of his work beyond “The Scream.” They showcase a range of portraits and innovative print methods, inviting audiences to appreciate Munch’s broader artistic contributions and connections.

Original Source: www.scmp.com

The post Edvard Munch Exhibitions in London and US Highlight Social Connections and Techniques first appeared on The London Bell.

A new exhibition of Edvard Munch’s portraits has launched at the National Portrait Gallery in London, highlighting a significant yet often overlooked aspect of the artist’s work and life. The exhibition, which will run until June 15, showcases around 45 pieces, including portraits of Munch himself, his family, friends, and patrons.

In parallel, Harvard Art Museums in the United States are presenting an exhibition that explores Munch’s innovative techniques across various mediums, such as paintings, woodcuts, lithographs, etchings, and combination prints. This exhibition further expands understanding of the artist’s creative versatility.

Curator Alison Smith notes, “It shows Munch as being a more social person than is often assumed. It takes us beyond The Scream. It takes us beyond Munch as the painter of existential isolation and loneliness.” This perspective encourages viewers to appreciate the complexity of Munch’s personality and artistry.

The exhibitions at London’s National Portrait Gallery and Harvard Art Museums provide an expanded view of Edvard Munch. They emphasise his social nature and artistic innovation, moving beyond the commonly held perception of him as merely the creator of ‘The Scream’. Through a diverse array of portraits and techniques, these displays invite a deeper appreciation of Munch’s contributions to art.

Original Source: www.scmp.com

The post Exploring Edvard Munch: Portraits and Techniques Beyond ‘The Scream’ first appeared on The London Bell.