Edvard Munch exhibitions in London and the US provide deeper insight into the Norwegian painter’s work beyond his iconic piece, “The Scream”. In London, the National Portrait Gallery showcases portraits highlighting Munch’s social interactions and connections. The exhibition runs until June 15 and includes 45 works featuring family, friends, and collectors.

Simultaneously, at Harvard Art Museums, a separate exhibition focuses on Munch’s innovative techniques across various mediums, including woodcuts and lithographs. This reflects Munch’s versatility and contribution to art, expanding viewers’ understanding of his style.

According to exhibition curator Alison Smith, “It shows Munch as being a more social person than is often assumed. It takes us beyond The Scream. It takes us beyond Munch as the painter of existential isolation and loneliness.” The exhibitions collectively reveal the multi-dimensionality of Munch’s art and life.

The exhibitions in London and the US highlight Edvard Munch’s social side and innovative techniques, enhancing the understanding of his work beyond “The Scream.” They showcase a range of portraits and innovative print methods, inviting audiences to appreciate Munch’s broader artistic contributions and connections.

Original Source: www.scmp.com

The post Edvard Munch Exhibitions in London and US Highlight Social Connections and Techniques first appeared on The London Bell.

A new exhibition of Edvard Munch’s portraits has launched at the National Portrait Gallery in London, highlighting a significant yet often overlooked aspect of the artist’s work and life. The exhibition, which will run until June 15, showcases around 45 pieces, including portraits of Munch himself, his family, friends, and patrons.

In parallel, Harvard Art Museums in the United States are presenting an exhibition that explores Munch’s innovative techniques across various mediums, such as paintings, woodcuts, lithographs, etchings, and combination prints. This exhibition further expands understanding of the artist’s creative versatility.

Curator Alison Smith notes, “It shows Munch as being a more social person than is often assumed. It takes us beyond The Scream. It takes us beyond Munch as the painter of existential isolation and loneliness.” This perspective encourages viewers to appreciate the complexity of Munch’s personality and artistry.

The exhibitions at London’s National Portrait Gallery and Harvard Art Museums provide an expanded view of Edvard Munch. They emphasise his social nature and artistic innovation, moving beyond the commonly held perception of him as merely the creator of ‘The Scream’. Through a diverse array of portraits and techniques, these displays invite a deeper appreciation of Munch’s contributions to art.

Original Source: www.scmp.com

The post Exploring Edvard Munch: Portraits and Techniques Beyond ‘The Scream’ first appeared on The London Bell.

A new exhibition featuring Edvard Munch’s portraits is now open at the National Portrait Gallery in London, running from March 13 to June 15. The exhibition displays around 45 works, including self-portraits, depictions of family, friends, and commissioned pieces, highlighting Munch’s social connections and influential relationships.

Curator Alison Smith emphasised that the exhibition portrays Munch as more socially engaged than commonly perceived, moving beyond his well-known work, The Scream. She noted Munch’s connections to artistic, intellectual, and professional circles that provided support amidst his struggles with mental health.

This is the first exhibition in Britain dedicated to Munch’s portraits, featuring notable pieces, such as his 1892 portrait of lawyer Thor Lutken, shown in the UK for the first time. The exhibition begins with family portraits, transitioning to works of fellow artists, patrons, and collectors, reflecting Munch’s expansive influence.

Munch created hundreds of portraits throughout his career, which were essential in exploring the inner psyche of individuals. Alison Smith highlighted that these portraits serve dual purposes: they capture a sitter at a specific moment while also revealing their deeper emotional and psychological complexities.

The exhibition of Edvard Munch’s portraits in London highlights his social connections and psychological depth as an artist. Running through June 15 at the National Portrait Gallery, it showcases 45 works, offering a new perspective on Munch beyond his iconic pieces. This unprecedented focus reveals his engagement with significant figures of his time and the importance of portraits in his artistic practice.

Original Source: www.bworldonline.com

The post Edvard Munch Portraits Exhibition Opens at National Portrait Gallery first appeared on The London Bell.

Edvard Munch’s portraits, showcasing psychological nuances of friends and family, highlight his artistic evolution. An ongoing exhibition at the National Portrait Gallery in London, running until June 15, features over 40 pieces revealing Munch’s biography and artistic style shaped by his time in Paris and Berlin. While some portraits demonstrate Munch’s mastery, others lack the intimacy needed for his best work, as noted by curator Alison Smith.

Five Must-See Works
1. Tête-à-tête (1885): This work features Munch’s friend, Karl Jensen-Hjell, and a woman who might be his sister, Inger. The casual setting foreshadows Munch’s later narrative style and portrayal of subjects.
2. Evening (1888): Depicting his sister Laura, this painting contrasts a serene scene with her troubled expression, hinting at her mental health issues. The faint white figure adds depth to the composition.
3. Thor Lütken (1892): A portrait of Munch’s friend, it cleverly incorporates a mysterious painting within the main image, leaving its meaning open to interpretation about romance or death.
4. The Brooch. Eva Mudocci (1902): This lithograph of the violinist, who was possibly Munch’s lover, reflects his diverse portrayals of women during his Symbolist phase.
5. Model with a Green Scarf (Sultan Abdul Karim) (1916): Unlike his stereotyped representations, this work of his chauffeur presents him in ordinary attire, conveying Munch’s respect for Karem as an individual.

The exhibition ‘Edvard Munch Portraits’ at the National Portrait Gallery reveals the multifaceted nature of Munch’s work, particularly his ability to convey psychological depth through portraiture. Key highlights include works that reflect personal relationships, societal themes, and the artist’s exploration of identity, culminating in an engaging view of his artistic legacy.

Original Source: news.artnet.com

The post Exploring Edvard Munch’s Portraits: Five Essential Works to Discover first appeared on The London Bell.

The National Portrait Gallery is hosting the UK’s first exhibition focusing on Edvard Munch as a portrait artist, running until 15 June. Munch, notable for his iconic work “The Scream”, is celebrated for his expressive use of colour, making this exhibition particularly appealing to fans of past shows, such as the National Gallery’s “Van Gogh: Poets and Lovers”.

The exhibition features over 40 works from Munch’s lifetime, divided into four sections: family portrayals, bohemian acquaintances, commissioned works, and depictions of close friends he called his “Guardians”. Significant pieces include “Evening” (1888), “Self-Portrait” (1882-83), and portraits of influential figures like Thor Lütken and Felix Auerbach.

Munch’s works reflect a range of deep emotions, from love to existential dread, often rooted in his personal experiences. These portraits aim to reveal the inner lives of his subjects, further emphasised by curator Alison Smith’s focus on Munch’s social connections.

The exhibition runs at the National Portrait Gallery from 13 March to 15 June 2025, with tickets priced at £21 or free for members. Reduced fares are available for younger visitors on weekends. The gallery’s operating hours are 10:30 am to 6 pm on weekdays and until 9 pm on weekends.

The National Portrait Gallery’s Munch exhibition presents a unique look at Edvard Munch’s portrait artistry, showcasing over 40 significant works reflecting varied emotions and societal connections. Running until 15 June 2025, the exhibition highlights Munch’s evolution as an artist and his portrayal of intimate relationships, offering a rare opportunity to view never-before-seen pieces in the UK. Tickets are reasonably priced, making this exhibit accessible to a wide audience, including students. Visitors are encouraged to explore Munch’s life and the emotional depth of his portraits.

Original Source: www.countryandtownhouse.com

The post Edvard Munch Portraits Exhibition at the National Portrait Gallery first appeared on The London Bell.

A new exhibition, “Edvard Munch Portraits,” opens at London’s National Portrait Gallery from March 13 to June 15, showcasing 45 artworks by Norwegian painter Edvard Munch. This exhibition highlights not only his self-portraits but also those of family, friends, and patrons, offering a comprehensive view of his social connections beyond the iconic “The Scream.”

Curator Alison Smith explains that the show reveals Munch’s social nature, presenting him as more than an artist focused on existential isolation. The collection reflects his ties to contemporary intellectuals while also recognising the influence of those in law and medicine who provided stability amidst his struggles with health.

This is the first exhibition in the UK that exclusively focuses on Munch’s portraits. Featured works include a 1892 portrait of lawyer Thor Lutken, presented in the country for the first time. Smith notes the striking interplay of colour in Lutken’s portrait, where the sleeve blends into a moonlit landscape, suggesting narratives beyond mere representation.

Beginning with family portraits, the exhibition progresses to feature fellow artists and patrons, encapsulating Munch’s journey until his death in 1944. Smith emphasizes that Munch aimed to delve deeper into the psyche of his subjects, revealing not just their outward appearances but also their inner lives.

The “Edvard Munch Portraits” exhibition offers insight into the less-explored aspect of Munch’s artistry, showcasing his connections and psychological depth. The show highlights key themes of sociality and introspection, marking a significant addition to Munch’s legacy in the UK.

Original Source: www.gdnonline.com

The post Edvard Munch Portraits Exhibition Opens at London Gallery first appeared on The London Bell.

As the sun sets, I arrive at Ekeberg Park in Oslo, where the late winter sky softens into shades of blue, grey, and yellow. From a viewpoint, I reflect on Edvard Munch’s visit in 1892, where he famously noted hearing a “great and infinite scream through nature.” While his scream remains a mystery, the park is now filled with the laughter of children and the activity of joggers.

In Oslo, Munch’s presence is inescapable, especially with the National Portrait Gallery showcasing a new exhibition of his portraits. Staying at Clarion Hotel Oslo, I find Warhol’s version of The Scream in the lobby and Abramović’s photograph during breakfast. The nearby Munch Museum stands out, its tilted tower said to bow to the city that inspired much of Munch’s work.

My guide, Sid, shares insights on Munch’s legacy, explaining, “Munch was unique in how he captured a shift in generations and perception.” His art’s relevance today lies not only in its emotional depth but also in the profound connection between humanity and nature.

Within the Munch Museum, three versions of The Scream are displayed for 30 minutes each to preserve their colours, including one damaged in a notorious theft in 2004. Another version from the National Museum was stolen in 1994 during the Winter Olympics but was recovered after 12 weeks.

The gallery also features sketches of Munch’s Aula paintings for Oslo University, which depict various human experiences. These masterpieces were hidden during the Nazi invasion due to their classification as “degenerate art,” but were restored post-war. Visitors can view these works on selected Saturdays from February to May.

A trip to Ramme, where Munch painted, offers a tranquil experience away from the city. His house, rented out in summer, offers scenic views and inspiration from nature. The sound of the sea and apple trees create a calming environment that Munch cherished.

Back in Oslo’s Grünerløkka quarter, I explore the vibrant neighbourhood where Munch lived, spotting plaques that remind us of his legacy. I visit the spot that inspired The Sick Child, reflecting on the vibrant atmosphere that contrasts with the deeper themes of his work. I also enjoy the lively culture in cafés and shops, wondering if I might encounter a modern-day Madonna.

Before my departure, I pay my respects at Munch’s grave in Our Saviour’s cemetery, contemplating the artwork he could have produced today. As walking tour guide Linda noted, he would likely be “a selfie king” given his passion for self-portraits.

Oslo offers a rich exploration of Edvard Munch’s life and art, with significant landmarks like Ekeberg Park, Munch Museum, and his former residence at Ramme. The blend of historical context and contemporary vibrancy allows visitors to connect with Munch’s timeless themes of nature, emotion, and human experience. His legacy continues to resonate remarkably well in today’s world, making a trip to Oslo a compelling experience for art lovers.

Original Source: www.theguardian.com

The post Exploring Edvard Munch’s Legacy: A City Break in Oslo first appeared on The London Bell.

March 2025 brings a vibrant array of art exhibitions to London, reflecting the city’s blooming springtime spirit. Notable exhibitions include:

1. Edvard Munch Portraits at the National Portrait Gallery (March 13 – June 15, 2025): Explore Munch’s intimate portraits of influential figures in his life, conveying his artistic legacy beyond “The Scream”.

2. Textiles: The Art of Mankind at the Fashion and Textile Museum (March 28 – September 6, 2025): This exhibition celebrates textiles as both functional and artistic, showcasing global pieces that tell stories through fabric.

3. Siena: The Rise of Painting, 1300-1350 at the National Gallery (March 8 – June 22, 2025): Delve into the cultural significance of Siena’s early artists through a display of landmark works from the period.

4. José María Velasco: A View of Mexico at the National Gallery (March 29 – August 17, 2025): Discover the first UK showcase of the landscape painter, highlighting Mexico’s stunning geography during its industrial transformation.

5. Peter Mitchell: Nothing Lasts Forever at the Photographer’s Gallery (March 7 – June 15, 2025): This exhibition presents Mitchell’s compelling photographic narratives that transcend time and fleeting moments.

6. The Other Art Fair at The Truman Brewery (March 6 – 9, 2025): Enjoy an accessible art fair featuring local artists, immersive installations, and engaging performances with works starting from £100.

London’s art scene springs to life in March 2025 with an overall focus on diverse themes ranging from historic paintings to contemporary textiles. Key exhibitions encompass renowned artists, significant cultural movements, and unique local talents, making this a month rich in artistic exploration.

Original Source: www.timeout.com

The post 6 Exciting Art Exhibitions to Visit in London This March 2025 first appeared on The London Bell.

A new London exhibition titled “Edvard Munch Portraits” at the National Portrait Gallery will showcase the Norwegian Expressionist artist’s lesser-known work—his portraits. Unlike his famous, solitary pieces like “The Scream,” this exhibition highlights Munch’s connections with family and friends throughout his life.

Curator Alison Smith notes that this is the first UK exhibition focused solely on Munch’s portraiture, depicting both personal relationships and his experiences in artistic circles in Kristiania, Paris, and Berlin. Many portraits reflect a poignant personal history, as Munch lost close family members to tuberculosis during a period marked by artistic evolution.

Munch’s capacity to capture hidden personalities is a central theme. His 1885 portrait of Karl Jensen-Hjell sparked controversy with its critical portrayal, and Walther Rathenau, a prominent industrialist, remarked on how Munch’s work revealed deeper truths: “That’s what you get for having your portrait done by a great artist—you look more like yourself than you really are.”

By the early 20th century, Munch had gained popularity and fame, simultaneously creating multiple versions of his works, which he considered akin to his own children due to his emotional attachment. The exhibition will also include self-portraits and highlight relationships with people who supported and inspired Munch.

According to Smith, the exhibition aims to reframe Munch not as a solitary figure but as someone deeply integrated into a vibrant European community, celebrating both the artist and those who influenced him.

The upcoming exhibition “Edvard Munch Portraits” at the National Portrait Gallery will illuminate the artist’s connections with family, friends, and patrons, positioning him within a rich European network. It aims to showcase his exploration of individual identity and emotional depth through portraiture, offering a fresh perspective on his work beyond his iconic pieces.

Original Source: www.theartnewspaper.com

The post Exploring Edvard Munch’s Portraits: A New Exhibition in London first appeared on The London Bell.

The National Portrait Gallery in London presents “Edvard Munch Portraits,” the first UK exhibition dedicated to the Norwegian Expressionist’s portraiture. Curated by Alison Smith, the exhibition highlights Munch’s personal connections through a range of portraits depicting his family, friends, and patrons, contrasting with his well-known darker works like “The Scream”. The show delves into Munch’s life in Bohemian circles across cities like Oslo, Paris, and Berlin, emphasizing his artistic development during challenging times.

Munch’s family portraits reflect a difficult past, having lost both his mother and sister to tuberculosis. These artworks illustrate significant artistic growth, featuring naturalistic depictions like his aunt Karen in somber attire and his sister Laura gazing contemplatively in “Evening.” Smith notes how influences from French and Japanese art begin to emerge in Munch’s style, foreshadowing later themes in his work such as melancholy.

A central theme of the exhibition is Munch’s ability to glimpse the underlying truths of his subjects, reflected in his often frank portrayals. His controversial portrait of Karl Jensen-Hjell exemplifies this, provoking outrage during its debut. Similarly, industrialist Walther Rathenau remarked on his portrait, acknowledging how Munch captures more than mere appearances, stating, “That’s what you get for having your portrait done by a great artist—you look more like yourself than you really are.”

By the early 20th century, Munch had gained considerable recognition as a prominent artist and savvy businessman. His connection to his artwork was profound, often producing multiple versions to explore different facets of his creations. Munch used self-portraits to delve into his identity and included hidden narratives, such as in the portrait of lawyer Thor Lütken, emphasising the depth of his subject matter.

The exhibition also highlights Munch’s relationships with influential individuals who supported him both financially and personally. Through his portraits, Munch is positioned not as an isolated figure but as a connected and cosmopolitan artist within a broad European network. This exhibition runs from 13 March to 15 June at the National Portrait Gallery.

The exhibition “Edvard Munch Portraits” at the National Portrait Gallery offers a fresh perspective on the artist’s life through his portraiture, revealing the significant relationships that shaped his work. It showcases his family and friends, examines the complexities of his character, and redefines Munch as a connected figure in European artistic circles. This portrayal challenges the notion of Munch as the lonely artist, instead highlighting his vibrant social milieu.

Original Source: www.theartnewspaper.com

The post Discovering the Connections in Edvard Munch’s Portraits first appeared on The London Bell.