In December 2020, UNESCO recognised Japan’s traditional woodworking techniques as part of humanity’s intangible cultural heritage. This decision aimed to address the declining interest in Japanese carpentry, specifically its preservation skills and methods. A significant figure in this tradition was Tsunekazu Nishioka, a renowned miyadaiku who passed away a quarter-century ago, leaving a void in the craft.

Nishioka, born in 1908 and known as “Oni” for his stern nature, was the last of his lineage to serve as the chief carpenter for Hōryū-ji. This seventh-century Buddhist temple in Nara Prefecture is notable as the world’s oldest wooden structure, highlighting the importance of Nishioka’s contributions to Japanese architecture.

UNESCO’s recognition reinforces the significance of Japanese carpentry in cultural heritage. The legacy of artisans like Tsunekazu Nishioka underscores the craftsmanship essential for preserving ancient wooden structures. As this art form faces challenges, initiatives to maintain its techniques and knowledge remain crucial.

Original Source: airmail.news

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British-Nigerian photographer and filmmaker Gabriel Moses will showcase his largest exhibition, titled Selah, opening March 28 at 180 Studios, where he previously held his debut exhibition. This event features over 70 photographs and 20 films, combining new works with his established collection across art, music, fashion, and sport.

The exhibition includes highlights like music videos for Travis Scott, Playboi Carti, and Schoolboy Q, along with portraits of notable figures such as Skepta and Jude Bellingham. Additionally, Moses will premiere his latest short film, The Last Hour, focusing on a personal journey towards solace and redemption.

Moses has quickly made a name for himself within the art world, with collaborations including Denim Tears and BYREDO, alongside the release of his monograph, Regina, last year. His accomplishments also include designing the trophy for the 2025 BRIT Awards.

Selah will run from March 28 to July 27, 2025. Interested visitors can book tickets on the 180 Studios website.

Gabriel Moses’ upcoming exhibition, Selah, promises to be a significant showcase of his artistic journey, featuring a diverse array of works and a new short film. His rapid rise in the art world, marked by notable collaborations and accolades, solidifies his status as a prominent figure in contemporary art. The exhibition will be open to the public from March 28 to July 27, 2025.

Original Source: hypebeast.com

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An art piece depicting Israeli Prime Minister Benjamin Netanyahu as Hitler was removed from the Saatchi Art Fair after public complaints. Created by artist James Earley, the painting titled “Monster,” is part of a series about war and conflict. It portrays a narrative of how monsters are defeated. Despite the removal, other works by Earley remain on display.

The Other Art Fair removed the painting after complaints from distressed visitors, according to UK Lawyers For Israel (UKLFI). Caroline Turner, UKLFI Director, stated that the artwork falls within the IHRA definition of antisemitism and incites hatred against Jews, causing distress to attendees.

An anonymous visitor expressed outrage, stating the piece was “deeply offensive” to Holocaust victims and others. Earley’s other artworks continue to provoke discussions around sensitive themes, including one titled “Mowing The Lawn” featuring Palestinian women in concentration camp uniforms against a burning city backdrop.

Another artist, Wim Carrette, has similar controversial works displayed, such as “Criminal with Hat” depicting Netanyahu in SS attire. His painting “Axis of Evil” features a creature with a Star of David’s torso overseeing a violent scene. Another piece, “Clowno-caust,” shows Netanyahu as a clown in front of a Holocaust-themed circus, which has drawn significant criticism.

Earley defended his work, claiming he is not antisemitic but aims to depict the horrors of the Holocaust. He advocates for peace between Israelis and Palestinians, calling for an end to violence. The Saatchi Gallery distanced itself from Saatchi Art, confirming its independence.

The Other Art Fair confirmed the removal of the artwork, stating such works violate their terms that prohibit discriminatory or defamatory content.

The removal of James Earley’s painting from the Saatchi Art Fair highlights the sensitivity surrounding depictions of historical atrocities in contemporary art. Complaints of antisemitism and distress resonate among viewers. Other artists like Wim Carrette also raise similar issues with provocative imagery linking modern figures to historical horrors. Ultimately, Earley’s call for peace amidst controversy brings a nuanced perspective to a heated debate.

Original Source: www.thejc.com

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London’s largest sculpture park has reopened in Thamesmead, showcasing contemporary art on the former Golf Course. The Winter Sculpture Park, now in its fourth year, welcomes visitors from March 2 to April 26. Covering 6.5 acres along the River Thames, this free park serves as an outdoor gallery for all ages.

Curated by Meg Stuart and Kieran Idle, the park features 40 artworks from 34 artists using diverse materials. Notable artists include Claye Bowler, whose works explore queerness and landscape. Ellie Harrison, recognised for her climate change piece at the Venice Biennale, also presents artwork, alongside Joseph Ijoyemi, who focuses on identity and heritage.

Other contributors include Chloë Louise Lawrence, merging stories of working-class experiences with themes of loss, and Chanel Vegas, who critiques NHS struggles through satire. Alegria Repila Smith has created a memorial for women victims of violence while Marcus Orlandi draws inspiration from tabloid exaggerations. Jenny Holzer displays pieces from her Truism series.

The Winter Sculpture Park kicked off its 2025 season on March 1 with a day full of performances, music, and workshops featuring artists like Andy Ash and Emma Louise Moore. Funded by the National Lottery through Arts, this park enhances community experiences with unique art.

The Winter Sculpture Park in Thamesmead offers a significant opportunity to engage with contemporary art, featuring diverse works from a variety of artists. With its free admission and outdoor setting, it provides a valuable cultural experience for the community. The park not only showcases artistic talent but also addresses important themes relevant to society, ensuring an engaging visit for all ages.

Original Source: www.newsshopper.co.uk

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Dr Bahom Kaling Darang, a dental surgeon from Arunachal Pradesh, will showcase his sculpture, ‘The Konyak’, at the Society of Portrait Sculptors’ annual exhibition in London from 17 to 30 March. This marks the 61st edition of the event, allowing artists to present their works to a global audience.

Based in Guwahati, Assam, Dr Darang will travel to London next week. He explained that artists undergo a two-stage elimination process for the exhibition; they first submit photographs and videos of their work, after which the jury selects entries for physical submission.

Finalist artists are then invited to London for the exhibition and sale. Dr Darang noted, “It’s a very prestigious exhibition, and very few make it every year,” with about 100 exhibits presented annually, mostly from worldwide submissions.

Although a dental surgeon, Dr Darang has always had a passion for sculpture. He self-taught initially but enhanced his skills at sculpture workshops in Spain and at The Florence Academy of Art in Italy. He aims to represent the diverse tribes of Arunachal Pradesh through his creations, bringing their stories to an international audience.

Dr Bahom Kaling Darang is set to exhibit his sculpture at a prestigious London event, highlighting the rigorous selection process and his passion for showcasing the culture of Arunachal Pradesh. Despite his profession as a dental surgeon, his commitment to art and representation of Northeast Indian tribes shines through. His participation in the exhibition is a significant achievement, reflecting his artistic dedication and the importance of cultural expression.

Original Source: arunachaltimes.in

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The Saatchi Gallery in London celebrates spring with its ambitious exhibition, “Flowers: Flora in Contemporary Art and Culture,” which opened on February 12. The exhibition features over 500 vibrant artworks, including paintings, sculptures, garments, and photographs, showcasing flowers’ cultural significance across various mediums. Curators Katherine Benson and Rosie Grant aim for the exhibition to be a celebratory tribute to the lasting allure of flowers in art, fashion, and literature.

Benson and Grant note that the exhibition builds on the gallery’s previous “In Bloom” show, offering a broader investigation into floral symbolism. The display includes works from renowned artists like Yinka Ilori, Yayoi Kusama, and Vivienne Westwood, encompassing diverse portrayals of flowers. Highlights include Sophie Mess’s monumental mural, “Journey of Progress,” and Miguel Chevalier’s virtual garden, “Extra Natural,” which blend dreamlike elements with reality.

The exhibition is thoughtfully divided into sections such as “Flowers and Fashion,” “Science: Life & Death,” and “In Full Bloom,” making it easier for visitors to navigate. Each area elucidates the historical and contemporary relevance of flowers, from the Renaissance to modern artistry. A standout piece is Rebecca Louise Law’s immersive work “La Fleur Morte,” formed with more than 100,000 dried flowers, honouring nature’s beauty.

Overall, “Flowers” offers an extensive exploration of humanity’s fascination with flora throughout history. The curators hope visitors will leave with a renewed appreciation for the natural world. This engaging exhibition runs until May 5, 2025, at the Saatchi Gallery in London, inviting everyone to explore its rich floral narrative.

The “Flowers: Flora in Contemporary Art and Culture” exhibition at Saatchi Gallery presents a comprehensive exploration of the significance of flowers in various artistic expressions. It highlights the enduring beauty and symbolism of flowers while encouraging appreciation for nature. With over 500 artworks and diverse thematic sections, it promises an enriching experience for visitors until May 5, 2025.

Original Source: mymodernmet.com

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A photography exhibition in Hammersmith aims to highlight the voices of domestic workers during Women’s History Month. The exhibition, titled “A Place At The Table,” features 19 photographs showcasing the often hidden experiences of those affected by domestic servitude. It runs from 17 March to 4 April at the SCRUM Theatre on Talgarth Road, as part of H&F’s Women’s History Month celebrations.

Local artist Camila Almeida spent over a year with the subjects before documenting their stories in this four-month project. She noted, “Domestic Servitude is a form of Modern Slavery and Exploitation which keeps people in forced labour and often inhumane conditions within private households.” The issue particularly impacts women, as many workers find themselves trapped after being brought to the UK.

Each portrait features a significant personal item, from family pictures to religious artefacts, representing the subjects’ identities. Camila highlighted the harsh realities workers face, including lost passports, long hours, and lack of basic rights and safety. Leaving an exploitative situation can lead to becoming undocumented, further complicating their lives.

Camila, who has lived in London for 17 years, collaborated with grassroots organisation the Voice of Domestic Workers, establishing trust within the community. The portraits depict individuals who have escaped their circumstances but are still navigating the challenges of regularising their status in the UK.

Mimi Jalmasco, a member of the charity, spoke on the project’s impact, stating, “The photography project has been a powerful way for us to share our stories. It was empowering, made us feel seen, and reminded us that we are not alone.” This initiative has sparked important conversations about their rights and dignity.

Additionally, a Q&A event is scheduled for 5.30pm on 25 March. It will feature talks about the project and the Voice of Domestic Workers, as well as opportunities for community networking. SCRUM’s Gráinne O’Mahony remarked on the initiative’s importance in raising awareness of violence against women and girls, emphasizing the need for community cooperation in combating such issues.

H&F also hosts various other activities this March as part of Women’s History Month, including theatre, music, and health events, enriching the cultural landscape of the area.

The photography exhibition “A Place At The Table” brings crucial attention to the personal stories of domestic workers, highlighting their struggles and resilience. Through Camila Almeida’s work, the event facilitates dialogue about domestic servitude’s harsh realities. The accompanying Q&A session encourages community engagement in advocating for the rights and dignity of these workers. Overall, the exhibition is a significant step in raising awareness and promoting support for this vulnerable group.

Original Source: www.lbhf.gov.uk

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London has recently been declared the “wine capital of the world” according to the Knight Frank Wealth Report, based on the number of restaurants serving fine wines from top wine houses. This recognition positions London ahead of renowned cities like New York and Paris in terms of wine offerings.

Here are five exceptional wine bars in London:

1. Noble Rot Mayfair: Known for its extensive 50-page wine list blending traditional and natural wines, with a focus on mature, rarer selections via its collaboration with The Wine Society.

2. The 10 Cases: Located in Covent Garden, it’s popular among wine professionals for its rotating wine list, featuring only 10 cases of any wine, ensuring a dynamic selection.

3. Goodbye Horses: A new east London gem opened this August, thriving on a natural wine philosophy that avoids additives. Its charming design and atmosphere appeal to both locals and visitors.

4. The Camberwell Arms: A refurbished Victorian pub that’s a local favourite, offering delightful food alongside a thoughtfully curated A4 wine list, capturing the essence of wine enjoyment in a pub setting.

5. Half Cut Market: This small restaurant boasts an impressive selection curated by a top wine manager, featuring unique off-list options. Their food menu complements the wine, with skewer sessions available at a great price.

London’s title as the “wine capital of the world” highlights its rich wine culture, backed by an impressive selection of wine bars. Each venue offers a unique experience—from established spots with dynamic lists to new trends in natural wines—showcasing the variety and accessibility of wines in the city.

Original Source: www.theguardian.com

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Anselm Kiefer Exhibition Inspired by Van Gogh
Anselm Kiefer, celebrating his 80th birthday this weekend, has returned to the art of Vincent Van Gogh, creating new works inspired by his pilgrimage 60 years ago. Kiefer’s impressive pieces are showcased from now until 9 June at the Van Gogh Museum in Amsterdam and then at the Royal Academy of Arts in London from 28 June to 26 October.

In Amsterdam, the exhibition is a joint effort with the Stedelijk Museum, focusing on Kiefer’s connections to the Netherlands. Titled “Anselm Kiefer: Where Have All the Flowers Gone?,” the title references Pete Seeger’s 1955 anti-war ballad and highlights Kiefer’s themes of loss through his art. The Van Gogh Museum’s curation delves into Kiefer’s connections to Van Gogh’s iconic works and themes.

Kiefer’s initial journey as an artist began in 1963 when he received a travel grant to trace Van Gogh’s steps across various locations in Europe. His diary from this trip is filled with sketches and reflections, though Kiefer notes his primary interest lay in Van Gogh’s structured artistic style rather than his troubled life. Kiefer recalls, “I was not overly interested in the emotional aspect of Van Gogh’s work or in his unhappy life.”

Kiefer’s enduring connection to Van Gogh is evident in significant works like “Sol Invictus” (1995), featuring a large sunflower head and a stark representation of Kiefer himself. Although it differs from Van Gogh’s vibrant depictions, both artists share an inspiration from this flower. For practical reasons, Kiefer replaced sunflower seeds in this work, due to insect issues, using artificial seeds instead, but labelled them as genuine sunflower seeds.

Along with newly crafted mixed-media works, Kiefer’s pieces in the exhibition include “O Stalks of the Night,” which incorporates elements like gold leaf and straw reminiscent of Van Gogh’s wheatfields. Kiefer reflects on Van Gogh’s painting “Wheatfields with Crows,” stating that it transcends simple landscapes to encapsulate memory and emotion.

One of the highlights is “The Starry Night,” a monumental piece inspired by Van Gogh’s famous painting. This work, spanning nearly eight metres wide, required unique display arrangements to accommodate its size. Straw features on the canvas to echo Van Gogh’s swirling skies.

Additionally, the Amsterdam exhibition features seven Van Gogh masterpieces from the museum’s collection and other related works. Kiefer’s earlier works from 1969-82 are currently exhibited at the Ashmolean Museum in Oxford until 15 June, and an exhibition titled “Anselm Kiefer: Van Gogh Journey” in Zundert showcases Kiefer’s journal from his pilgrimage.

In related exhibitions, Vienna’s Albertina is presenting “Matthew Wong–Vincent Van Gogh: Painting as a Last Resort,” exploring Van Gogh’s influence on contemporary art, featuring works by both artists.

The Kiefer-Van Gogh exhibition celebrates Kiefer’s artistic evolution, influenced by Van Gogh’s legacy. It highlights Kiefer’s unique perspective gained from tracing Van Gogh’s footsteps and his deep appreciation for the Dutch artist’s structure and technique rather than personal tragedies. This exhibition promises to offer a thoughtful exploration of interconnected themes through Kiefer’s lens, enriched by displays of Van Gogh’s original works.

Original Source: www.theartnewspaper.com

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Sabrina Carpenter is set to perform at London’s O2 Arena on Saturday, March 8, and Sunday, March 9, as part of her Short n’ Sweet world tour. This tour is gaining attention amid a surge of pop stars, including Gracie Abrams and Olivia Rodrigo, who are also making waves in the music scene. Carpenter’s earlier UK show in Birmingham received praise for its high energy and cheeky vibe.

Show Timings: Doors open at 5:30pm, with Carpenter expected to take the stage around 8pm, potentially earlier on Sunday. The curfew is 11pm on Saturday and 10:30pm on Sunday.

Potential Setlist: Sabrina’s performance will include tracks from her Short n’ Sweet album, along with older hits. Some of the songs are:
– Taste
– Good Graces
– Feather
– Espresso

Supporting Act: The opening act for the UK dates is indie-pop singer Rachel Chinouriri, who will perform approximately one hour after doors open.

Bag Policy: Only bags no larger than A4 are permitted in the venue. Refer to the venue’s guidelines for more details on bag rules and cloakroom information.

Seating Plan: The seating layout for the O2 Arena is specified for the event.

Ticket Availability: Limited resale tickets are available for the O2 shows, primarily in lounge or VIP sections, with prices starting from £500. Tickets can be found on sites like Stubhub and Viagogo.

Sabrina Carpenter’s shows at London’s O2 Arena promise to deliver a high-energy experience, featuring new and fan-favourite songs. With unique support from Rachel Chinouriri and specific bag policies, attendees should prepare for an enjoyable concert. While ticket availability is limited, fans can seek resale options online.

Original Source: www.timeout.com

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