The Genesis Exhibition: Do Ho Suh: Walk the House opens at Tate Modern from May 1 to October 19, 2025, showcasing 30 years of the artist’s work on themes of space, memory, and identity. This is Suh’s first major solo exhibition in London in a generation, reflecting a collaboration between Genesis and Tate Modern. Audiences can expect immersive installations and new works, including the Bridge Project, a thoughtful exploration of what makes a home.
The Genesis Exhibition: Do Ho Suh: Walk the House opens at Tate Modern in London on May 1, in partnership with Genesis. This exhibition showcases 30 years of Do Ho Suh’s art, focusing on space, memory, and identity, marking his first big solo show in London in quite some time. It runs until October 19, 2025.
This exhibition is particularly significant as it is the first Genesis Art Initiatives project in Europe. Tate Modern is a leading institution in modern and contemporary art, making this collaboration notable. It gives a deeper insight into Suh’s exploration of themes that resonate with today’s complexities.
Do Ho Suh, born in Seoul and now based in London, spends much of his work examining concepts surrounding architecture, memory, and identity. His installations, sculptures, videos, and drawings encourage visitors to consider how we experience spaces and the memories linked to them.
The title Walk the House refers to “hanok,” a traditional Korean dwelling that can be taken apart and reassembled, which the artist envisions as “walking the house.” This theme is illustrated in the exhibition, reflecting Suh’s artistic journey through Seoul, New York, and London, the three cities he has lived in.
Visitors will encounter Suh’s fabric structures, 1:1 replicas of his former living and working spaces. New installations such as Nest/s (2024) and Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul (2024) will appear for the first time alongside other new works.
The exhibition also highlights Suh’s thoughts on personal and collective memory, seen in previous works like Rubbing/Loving: Seoul Home (2013-22) and Rubbing/Loving Project: Company Housing of Gwangju Theater (2012). An installation outside the exhibition, Who Am We? (2000), features countless small portraits from yearbooks, demonstrating the artist’s exploration of individual versus collective identity.
Additionally, the display will include Suh’s intricate thread drawings, works on paper, and videos examining the relationship of home versus building, including Robin Hood Gardens (2018) and Dong In Apartments (2022).
The show will culminate with the Bridge Project, which represents Suh’s ongoing inquiries into what defines a “perfect home,” in collaboration with experts from various fields such as architecture, engineering, anthropology, and biology.
The Genesis Exhibition: Do Ho Suh: Walk the House at Tate Modern is a major event, revealing decades of the artist’s work. It explores complex themes of space, memory, and identity in a collaborative effort between Genesis and Tate. Visitors can expect not only large-scale installations but also thoughtful works that challenge notions of home and belonging. This exhibition marks an important moment in contemporary art in London, showcasing Suh’s unique perspective as a globally influenced artist.
Original Source: en.prnasia.com