Edvard Munch exhibitions in London and the US reveal his social side and innovative techniques. London’s exhibition focuses on portraits, while Harvard showcases his diverse printmaking methods. Curator Alison Smith highlights Munch as a socially engaged artist, transcending his depiction as solely the creator of ‘The Scream’.
A new exhibition of Edvard Munch’s portraits has launched at the National Portrait Gallery in London, highlighting a significant yet often overlooked aspect of the artist’s work and life. The exhibition, which will run until June 15, showcases around 45 pieces, including portraits of Munch himself, his family, friends, and patrons.
In parallel, Harvard Art Museums in the United States are presenting an exhibition that explores Munch’s innovative techniques across various mediums, such as paintings, woodcuts, lithographs, etchings, and combination prints. This exhibition further expands understanding of the artist’s creative versatility.
Curator Alison Smith notes, “It shows Munch as being a more social person than is often assumed. It takes us beyond The Scream. It takes us beyond Munch as the painter of existential isolation and loneliness.” This perspective encourages viewers to appreciate the complexity of Munch’s personality and artistry.
The exhibitions at London’s National Portrait Gallery and Harvard Art Museums provide an expanded view of Edvard Munch. They emphasise his social nature and artistic innovation, moving beyond the commonly held perception of him as merely the creator of ‘The Scream’. Through a diverse array of portraits and techniques, these displays invite a deeper appreciation of Munch’s contributions to art.
Original Source: www.scmp.com